An observation of the disappearance of religion and religious values in Western society. Decaying digital media is used to illustrate the 'distortion' of some of the most influential cultural and historical icons of our society. Just as a malfunctioning TV distorts an image, our digital society distorts the image of religion.

Two devotional angels, carved in wood, bear the trace of a stock-photo watermark. “Angels (Watermarked)” eflects on how digital culture transforms sacred imagery into shared, searchable, and commodified content.

As someone who has long viewed the internet and technology as a beacon of hope surpassing traditional beliefs, recent events in the world have left me feeling a bit more somber. This artwork serves as a reflection on the intersection of tradition and technology, challenging us to contemplate the evolving nature of faith, honesty, and truth in our digital age.

This artwork reinterprets a classical figure through digital glitch effects, achieved by duplicating and distorting its sides. The result disrupts the original serenity, tighlighting the tension between sacred imagery and the unpredictable nature of digital manipulation. It invites reflection on how technology transforms our understanding of the sacred and challenges the preservation of traditional religious heritage in a modern world

A modern take on Michelangelo’s classical masterpiece. This depiction of Mary, looking at herself in the mirror, is open to personal interpretation. What would Mary think, seeing herself, knowing what religion has brought about? Created from a 3D scan of the original work in the Vatican.

This sculpture explores the intersection of classical art and modern technology by elongating Ghiberti’s iconic relief. Inspired by the distortion caused when 4:3 media was stretched to fit 16:9 screens, the piece becomes a visual glitch. “Aspects” invites reflection on how technology reshapes our view of time, tradition and form.